We’re opening in September 2015 in the same building with a different vision. Watch this space!
More you might like
Abby Cunnane (of St Paul St, Auckland) and Melanie Oliver (Physics Room) checked out the gallery in its crazy state of repair. (at Centre of Contemporary Art, 66 Gloucester St, Christchurch)
The Centre of Contemporary Art (CoCA) in Christchurch is re-opening late Spring 2015 and we’re working on the first season’s programme!
We’re seeking an enthusiastic and committed person to assist the Director & Principal Curator to curate and produce CoCA’s opening exhibition.
Please share this fantastic opportunity far and wide!
Applications must be in by 5pm on Thursday 30 July 2015.
Welcome back CoCA: Can’t wait ‘til Spring!
‘CoCA – Centre of Contemporary Art. Re-opening in Spring 2015’…That got my attention…‘Calling for volunteers’...Interesting, tell me more. ‘Sharing stimulating art experiences that engage people in conversations about contemporary life and culture’. OK. You’ve got me. I’m in!
The notion of ‘public art gallery’ is almost foreign in Christchurch after the quakes that rocked our institutions to their very foundations. Thankfully, over the last four years, the damage has stimulated creative innovation.
Exciting work has been done outside ‘the gallery’, in makeshift venues and al fresco settings throughout the city. Artists have expanded their DIY skills into event organising – grouping and promoting themselves as artists and art organisations.
Christchurch is now ready for a gallery that is devoted to its city, our diverse communities and contemporary artists here and abroad. It is exciting that CoCA will be re-born as a place to share ideas and engage people in contemporary art and creative projects.
My experience of CoCA is as an artist, exhibiting in the 2003 CoCA Contemporary Art Awards. I was in my third year of my Fine Arts degree at the University of Canterbury. And I was green. I had no idea what to expect yet I was impressed with how genuine and knowledgeable the gallery staff were and how popular this group show was. I fell in love with the space. I loved the echo of footsteps and chatter within the expansive ceilings; the way the gaudy pale lino squeaked underfoot; and the smell of freshly white painted walls, offset by the musty tinge of a 1960s building. It was the perfect introduction to showing artwork in a gallery setting. The experience helped me begin my fledgling career as an artist and excite me about future exhibitions.
I have such fond memories of CoCA – the architecture, the artists, the people behind the scenes – and of course at the heart of the gallery: the art. So to hear that the Centre of Contemporary Art is re-opening again this coming Spring really made me smile.
Welcome back CoCA. I’ve missed you.

Alanah Tocker
Artist and volunteer staff member of CoCA
CoCA sitting amongst the skyline… What a beauty.
Kelvyn and Darryl stick and screw the final layer of the main gallery wall. Exciting progress guys! (at Centre of Contemporary Art, 66 Gloucester St, Christchurch)
CoCA fans, meet Bob, current gallery caretaker (at Centre of Contemporary Art, 66 Gloucester St, Christchurch)
Stacy Squires from The Press shoots the newly lined pyramid skylights and walls of our largest gallery (at Centre of Contemporary Art, 66 Gloucester St, Christchurch)
Enjoy the view out the beautiful windows of #theauricle gallery while surrounded by 8 speakers exuding sounds of Taoka Puoro played by Alistair Fraser. This exhibition, upstairs from #Rekindle, ends 31 Jan. (at New Regent Street, Christchurch)
Precarious Nature - Air Pollution

This weeks blog is inspired by London based artist Dryden Goodwin. Dryden is a British artist whose works often encompass intricate drawings in combination with photography and live action video. He creates films, gallery installations, projects in public space, etchings, works on-line and soundtracks. His works practise reflects of the ethical dimensions of looking at the world and beyond. Dryden’s work Breathe is currently being showcased in our exhibition Precarious Nature here at Toi Moroki Centre of Contemporary Art .
Dryden Goodwin’s Breathe is an animation of over 1,300 pencil drawings of his five year old son, inhaling and exhaling. The boy progresses through fluctuating breathing patterns, at some moments regular, and at others more laboured as he stares out from the frame. Through emphasising the physicality of the act of breathing it the work draws attention to the vulnerability of children, whose developing respiratory systems are is most at risk from pollution, and who will live with the long term physical and environmental effects of our current lifestyles.
This work is taking a critical stance on air pollution and air quality, particularly in London, but it also has significance for us here in Ōtautahi. London, a much larger and condensed city, is the one of the most polluted cities in Europe, with it costing the population approximately £2 billion annually. The air pollution in London is so uncontrollable that it has been shown to cause more premature deaths than both smoking and traffic incidents combined.
The guideline for pm10 in Ōtautahi had been exceeded an average of thirty times a last year, whilst the carbon monoxide guideline is often exceeded ten times a year. Similarly to Christchurch, London has consistently exceeded its yearly limits of PM10 emissions and nitrogen dioxide. An article released 6 days into 2017 reported that London has already breached its annual air pollution limit for the year, which highlights how toxic the air pollution is in the highly condensed city.

Image Source: Putney High Street on 3 January 2017
Air pollution in Ōtautahi (Christchurch) is the worst in Aotearoa New Zealand, with majority of it coming from domestic use of wood and coal burning for heating. The impacts of air pollution are not only damaging on the environment, but also people’s well-being and health - in particular, children. Clean air is made up of approximately 78% Nitrogen, 20% Oxygen, .9% Argon and .03% carbon dioxide. When the air is polluted, the levels of toxins increase, which increase the likelihood of morbidity and mortality. Pm10, also known as particulate matter, is a particle that comes in a variety of sizes and has the ability to travel deep into your lung. People in areas less socioeconomically advantaged are more likely to live next to hazardous sites in comparison to those in areas that are socioeconomically advantaged - this is often referred to as environmental racism.
Environmental racism is a type of discrimination that is closely tied to residential segregation, where people who are of low-income or minority communities are more likely to live or be forced to live in areas that are in close proximity to hazardous sites and toxic waste due to race, class and gender. These areas have much higher levels of air pollution, with people, particularly children having ongoing health implications because of it. As mentioned, children and infants are much more vulnerable to the risks of morbidity due to air pollution. The effects that high levels of air pollution can have on children are often long lasting, and can decrease the quality and length of a persons life. The risks associated with air pollution include the increased likelihood of strokes, asthma, cancer, wheezing, bronchitis, reduced lung development, high blood pressure, arteriosclerosis and heart attacks.

Above is a map highlighting the geographic distribution of PM2.5 air pollution levels at a global scale. The full sized interactive map can be found here where you can zoom into countries or cities you are curious about. It also allows you to see where the dirtiest power plants are situated. Along with this, it gives you a more in depth explanation of what Particular Matter is (PM) and the harmful effects it can have on peoples health and wellbeing.
Some Ōtautahi Christchurch based not-for-profit organizations we are working with include 350.org and Generation Zero. 350 Christchurch are a local group of volunteers committed to taking action on climate change. Generation Zero is a nationwide movement of young New Zealanders working together to get our country on the path towards a zero carbon future.
350.org focuses on the wider social and economic changes we now urgently need to tackle climate disruption. They are a global grassroots climate movement that can hold our leaders accountable to the realities of science and the principles of justice. Their core goals include hitting the 90% renewable energy by 2025, cute green house emissions, improve insulation levels and many others. Generation Zero is a nationwide movement of young New Zealanders working together to get our country on the path towards a zero carbon future. They campaign for smarter transport and urban planning, and independence from fossil fuels. Both organizations have a central goal of New Zealand becoming less or completely independent from fossil fuels as it is a major factor in carbon emissions and our high levels of air pollution. You can support them by going to their website and signing petitions, donating or volunteering







