We’re #recruiting another energetic guy or gal for the new CoCA team! Apply by 2 Nov for Weekend #Gallery Supervisor role #CoCAChch #manager (at CoCA - Centre of Contemporary Art)
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#Gallery gazing by #interns Bryany and Jason! Repairs almost complete! #CoCAChch #christchurchrebuild (at CoCA - Centre of Contemporary Art)
On site! Kristina Pickford (Chair of the Board) and Claire Baker (Gallery Manager) checking out CoCA.
Tile & carpet laying time at #CoCAChch. Keep off … til 13 Feb! #christchurchrebuild (at CoCA - Centre of Contemporary Art)
Intern Take Over - #rugby #public interaction
I can’t believe I’m blogging about #rugby.
The art world is supposedly a safe haven for heretics like me - we share a general disdain for rugby and most physically exerting things (aside from opening-hopping and competitive free-wine guzzling).
Everything around me has been jumping on the World Cup bandwagon. Headphones, laptop bags and general merchandise aside, I was betrayed by a rebranding of my own perfume and my go-to anxiety relieving searches for ‘pug in sweater’ was infiltrated by Richie McPaw.
This morning, our own office printer patriotically ‘blacked out’ our letterhead.
Julie shares my bemusement about our national passion
This weekend, while scrolling through my facebook feed hungoverly despondently trying to avoid posts to do with the All Blacks, I came across a photo that somehow managed to unite two apparently disparate things - contemporary art and rugby fervour.
Thanks to the eagle eyed Julia Holden for the photo
#anthonygormley #allblacks #scape8 #publicinteraction #rugby
The newly installed Anthony Gormley work looked somewhat dejected to be branded a supporter. Never-the-less, I had to be impressed that some hardy soul braved the waters of the Avon to wade out and dress a 609Kg iron sculpture.
The jersey was swiftly removed by on Saturday afternoon without any apparent damage.
Being that the sculptures will operate as “standing stones” and bear witness to all sorts of events in their 300 year projected lifespan, the work will be rained on, perched on and pooped on by any number of winged marauders; so an All Blacks jersey can’t hurt too much. I’m sure that this is just the beginning of cringe-inducing public interactions with it; I predict road cone hats during O-week, scarves in winter and perhaps an Anti-TPPA signboard on November 14th.
I’ve been working on making a condition report template as part of my internship and hence can list a few of the official terms that can potentially be added to the sculpture’s Condition Report as a consequence of the affectionate but problematic addition of said jersey and other things:
Abrasion
Accretion
Discolouration
Flaking
Foxing
Pest Damage
Scratching
Soiling: grime and splatter
Spalling
We all want public engagement with artwork, but when it’s at the expense to the integrity of the work it’s a bit dispiriting. I guess at least it wasn’t a Wallabies jersey.
Audrey Baldwin - CoCA Curatorial Intern
We’re recruiting for a people-centred and enthusiastic person to manage the gallery in weekends and help with some evening public events sometimes. Join us!
Applications close 5pm, Monday 2 November.
A sample of bricks from the demolished Canterbury Society of Arts Gallery. Thanks Underground Overground Archaeology! Read about the old CSA gallery here: en.wikipedia.org/wiki/Canterbury_Society_of_Arts_Gallery
Our major gallery - the Mair Gallery - 150sq metres of concrete floor (to be polished). Gone are those cream lino tiles!
Precarious Nature - Air Pollution

This weeks blog is inspired by London based artist Dryden Goodwin. Dryden is a British artist whose works often encompass intricate drawings in combination with photography and live action video. He creates films, gallery installations, projects in public space, etchings, works on-line and soundtracks. His works practise reflects of the ethical dimensions of looking at the world and beyond. Dryden’s work Breathe is currently being showcased in our exhibition Precarious Nature here at Toi Moroki Centre of Contemporary Art .
Dryden Goodwin’s Breathe is an animation of over 1,300 pencil drawings of his five year old son, inhaling and exhaling. The boy progresses through fluctuating breathing patterns, at some moments regular, and at others more laboured as he stares out from the frame. Through emphasising the physicality of the act of breathing it the work draws attention to the vulnerability of children, whose developing respiratory systems are is most at risk from pollution, and who will live with the long term physical and environmental effects of our current lifestyles.
This work is taking a critical stance on air pollution and air quality, particularly in London, but it also has significance for us here in Ōtautahi. London, a much larger and condensed city, is the one of the most polluted cities in Europe, with it costing the population approximately £2 billion annually. The air pollution in London is so uncontrollable that it has been shown to cause more premature deaths than both smoking and traffic incidents combined.
The guideline for pm10 in Ōtautahi had been exceeded an average of thirty times a last year, whilst the carbon monoxide guideline is often exceeded ten times a year. Similarly to Christchurch, London has consistently exceeded its yearly limits of PM10 emissions and nitrogen dioxide. An article released 6 days into 2017 reported that London has already breached its annual air pollution limit for the year, which highlights how toxic the air pollution is in the highly condensed city.

Image Source: Putney High Street on 3 January 2017
Air pollution in Ōtautahi (Christchurch) is the worst in Aotearoa New Zealand, with majority of it coming from domestic use of wood and coal burning for heating. The impacts of air pollution are not only damaging on the environment, but also people’s well-being and health - in particular, children. Clean air is made up of approximately 78% Nitrogen, 20% Oxygen, .9% Argon and .03% carbon dioxide. When the air is polluted, the levels of toxins increase, which increase the likelihood of morbidity and mortality. Pm10, also known as particulate matter, is a particle that comes in a variety of sizes and has the ability to travel deep into your lung. People in areas less socioeconomically advantaged are more likely to live next to hazardous sites in comparison to those in areas that are socioeconomically advantaged - this is often referred to as environmental racism.
Environmental racism is a type of discrimination that is closely tied to residential segregation, where people who are of low-income or minority communities are more likely to live or be forced to live in areas that are in close proximity to hazardous sites and toxic waste due to race, class and gender. These areas have much higher levels of air pollution, with people, particularly children having ongoing health implications because of it. As mentioned, children and infants are much more vulnerable to the risks of morbidity due to air pollution. The effects that high levels of air pollution can have on children are often long lasting, and can decrease the quality and length of a persons life. The risks associated with air pollution include the increased likelihood of strokes, asthma, cancer, wheezing, bronchitis, reduced lung development, high blood pressure, arteriosclerosis and heart attacks.

Above is a map highlighting the geographic distribution of PM2.5 air pollution levels at a global scale. The full sized interactive map can be found here where you can zoom into countries or cities you are curious about. It also allows you to see where the dirtiest power plants are situated. Along with this, it gives you a more in depth explanation of what Particular Matter is (PM) and the harmful effects it can have on peoples health and wellbeing.
Some Ōtautahi Christchurch based not-for-profit organizations we are working with include 350.org and Generation Zero. 350 Christchurch are a local group of volunteers committed to taking action on climate change. Generation Zero is a nationwide movement of young New Zealanders working together to get our country on the path towards a zero carbon future.
350.org focuses on the wider social and economic changes we now urgently need to tackle climate disruption. They are a global grassroots climate movement that can hold our leaders accountable to the realities of science and the principles of justice. Their core goals include hitting the 90% renewable energy by 2025, cute green house emissions, improve insulation levels and many others. Generation Zero is a nationwide movement of young New Zealanders working together to get our country on the path towards a zero carbon future. They campaign for smarter transport and urban planning, and independence from fossil fuels. Both organizations have a central goal of New Zealand becoming less or completely independent from fossil fuels as it is a major factor in carbon emissions and our high levels of air pollution. You can support them by going to their website and signing petitions, donating or volunteering







